{"id":1073,"date":"2018-12-18T00:25:56","date_gmt":"2018-12-17T23:25:56","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=1073"},"modified":"2020-07-10T01:39:14","modified_gmt":"2020-07-09T23:39:14","slug":"teoria-incertidumbre-2","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-2\/","title":{"rendered":"Uncertainty Theory #2"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1073\" class=\"elementor elementor-1073\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1476dd7e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1476dd7e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1b0b5eb2\" data-id=\"1b0b5eb2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4bd8b9fa elementor-widget elementor-widget-text-editor\" data-id=\"4bd8b9fa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Uncertainty Theory #2<\/strong><\/span><\/h2><p><span style=\"color: #808080;\"><em>Alexander Scriabin, ANS synthesizer and Coil<\/em><\/span><\/p><p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fteor%C3%ADa-incertidumbre-2-andrea-bravo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p><p><span style=\"color: #808080;\">In our first chapter we have been talking about the Russian synthesizer <\/span><b style=\"color: #808080;\">ANS<\/b><span style=\"color: #808080;\">. And before continuing to talk about a new instrument, I have decided to dedicate this new program to try to give a little more context to such a finding.<\/span><\/p><p><span style=\"color: #808080;\">The excerpts that we will listen to explain more about the history of the <b>ANS<\/b> will be:<\/span><\/p><p><span style=\"color: #808080;\"><b>Symphony No. 5 Prometheus, Poem of Fire<\/b> (1910) op.60.<\/span><br \/><span style=\"color: #808080;\"><b>Coil<\/b> - ANS (2004) 3CD's disc. (CD1 Track1 and Track3)<\/span><\/p><p><span style=\"color: #808080;\">It is absolutely impossible not to speak about the Russian composer and pianist <b>Alexander Nikolayevich Scriabin<\/b> (1872-1915), after whom the photoelectric synthesizer is named.\u00a0<\/span><span style=\"color: #808080;\"><b>Scriabin<\/b> was interested in theosophy (occult philosophy) and literary symbolism, as well as in the works of <b>Nietzsche<\/b>He believed that through music, humans could connect with the whole, that is, the unity of the cosmos, with its rhythms and mysteries. He thought that through music humans could connect with the whole, that is the unity of the cosmos, with its rhythms and mysteries, he believed in the divinity within humans, and that having developed his own he could bring listeners closer to this information through sounds. Taking the theory of synesthesia of the 19th century, which thought of the equivalence existing between smells, colors, sounds, etc., he fantasized about the possibility of building an atmosphere with machines that created smells, a keyboard that converted its notes into colors, and musical instruments that made live a sensory experience that transmitted this idea of cosmic unity as a psychological resonator.<\/span><\/p><p><iframe title=\"A. Scriabin: Prometheus or the Poem of Fire - Prom\u00e9th\u00e9e ou le Po\u00e8me du feu op. 60 (Boulez)\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/6osJBtQRjoY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p><p><span style=\"color: #808080;\">On the keyboard of <b>Scriabin<\/b> which is equivalent to or translates notes of a tonal scale with light frequencies, i.e. colors. What he did was to give a chromatic value to each note by arranging them according to the chromatic circle of <b>Newton<\/b>. The idea was to be able to SEE the sounds.<\/span><\/p><p><span style=\"color: #808080;\">About the <b>Symphony No. 5 Prometheus, Poem of Fire,<\/b> we can comment that it is a work of his last stage where he was already more interested in a certain atonality, moving away from the romantic musical period. The last works of <b>Scriabin<\/b>from 1910 to 1915, are structured on harmonic elements rather than themes, usually variants of the so-called <i>\"mystical chord\"<\/i>:<\/span><\/p><p><span style=\"color: #808080;\">(C-Fa sharp-B-flat-B-flat-Mi-La-Re)<\/span><\/p><p><iframe title=\"The Mystic Chord Scriabin\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/LMu-IOtGSF0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p><p><span style=\"color: #808080;\">The claims of <b>Scriabin<\/b> were lofty, he truly intended to change the world through his works.\u00a0<\/span><span style=\"color: #808080;\">On the concepts of theosophy we can comment that <b>Helena Petrovna Blavatsky<\/b>Russian writer and occultist, founded the <b>Theosophical Society<\/b> in the year 1875. It is said that she was self-taught and there is a lot of mystery behind her knowledge. Thanks to this foundation, this knowledge could be spread internationally.<\/span><\/p><p><span style=\"color: #808080;\">The principles of <b>Society\u00a0<\/b><\/span><span style=\"font-weight: bold; color: #808080;\">Theosophical<\/span><span style=\"color: #808080;\">\u00a0can be summarized as forming a universal brotherhood of mankind, without distinction of race, creed, sex, caste or color, encouraging the comparative study of religions, philosophies and science. To explore the unexplored laws of nature and the latent powers in man.<\/span><\/p><p><span style=\"color: #808080;\">On the disc of <b>Coil <\/b>- ANS was realized as a tribute to synthesizer <b>ANS<\/b> cataloged as experimental and avant-garde genre can also be labeled as drone music. Along with the 3CD's it included a DVD with animations by <b>Peter Christopherson<\/b> which was intended to do the opposite of what the synthesizer did, going from music to images, and thus exploring the subtleties of synesthesia by limiting itself to simple, elegant and subliminal chromatic exercises.\u00a0<\/span><span style=\"color: #808080;\">About the disc it can be said that slow modulations in the sound\/image relationship eventually defeat perception and synesthetic thought processes begin to expand, tuning our cognitive machinery in the mysterious waves of analogy and analogy.<\/span><\/p><p><span style=\"color: #808080;\">Originally only 500 copies were made.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teor\u00eda Incertidumbre #2 Alexander Scriabin, sintetizador ANS y Coil En nuestro primer cap\u00edtulo hemos estado hablando sobre el sintetizador ruso ANS. Y antes de continuar a hablar de un nuevo instrumento, he decidido dedicar este nuevo programa para intentar dar un poco m\u00e1s de contexto a semejante hallazgo. Los extractos de obras que escucharemos para [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1073","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Teor\u00eda Incertidumbre #2 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teor\u00eda Incertidumbre #2 -\" \/>\n<meta property=\"og:description\" content=\"Teor\u00eda Incertidumbre #2 Alexander Scriabin, sintetizador ANS y Coil En nuestro primer cap\u00edtulo hemos estado hablando sobre el sintetizador ruso ANS. Y antes de continuar a hablar de un nuevo instrumento, he decidido dedicar este nuevo programa para intentar dar un poco m\u00e1s de contexto a semejante hallazgo. 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Y antes de continuar a hablar de un nuevo instrumento, he decidido dedicar este nuevo programa para intentar dar un poco m\u00e1s de contexto a semejante hallazgo. 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Y antes de continuar a hablar de un nuevo instrumento, he decidido dedicar este nuevo programa para intentar dar un poco m\u00e1s de contexto a semejante hallazgo. Los extractos de obras que escucharemos para&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=1073"}],"version-history":[{"count":6,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1073\/revisions"}],"predecessor-version":[{"id":54305,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1073\/revisions\/54305"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}