{"id":1436,"date":"2019-01-29T13:04:50","date_gmt":"2019-01-29T12:04:50","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=1436"},"modified":"2020-07-12T17:27:11","modified_gmt":"2020-07-12T15:27:11","slug":"teoria-incertidumbre-4","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-4\/","title":{"rendered":"Uncertainty Theory #4"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1436\" class=\"elementor elementor-1436\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-638e67b6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"638e67b6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5733db4\" data-id=\"5733db4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6042365f elementor-widget elementor-widget-text-editor\" data-id=\"6042365f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Uncertainty Theory #4<\/strong><\/span><\/h2><p><span style=\"color: #808080;\"><em>Pierre Schaeffer, Steve Reich, Charles Dodge, Yoji Yuasa, Olivier Messiaen and Ondes Martenot<\/em><\/span><\/p><p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fteor%C3%ADa-incertidumbre-4-andrea-bravo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p><p><span style=\"color: #808080;\"><b>INTRODUCTION<\/b><\/span><\/p><p><span style=\"color: #808080;\"><b>Pierre Schaeffer <\/b>- Etude Aux Chemins De Fer<\/span><br \/><span style=\"color: #808080;\"><b>Steve Reich<\/b> - Pendulum Music<\/span><br \/><span style=\"color: #808080;\"><b>Charles Dodge<\/b> - He destroyed her image<\/span><br \/><span style=\"color: #808080;\"><b>Yoji Yuasa<\/b> - Projection Esemplastic for White Noise<\/span><\/p><p><b style=\"color: #808080;\">\u00a0<br \/><\/b><b style=\"color: #808080;\">FINAL WORK<\/b><\/p><p><span style=\"color: #808080;\"><b>Olivier Messiaen<\/b> - F\u00eate des belles eaux (1937)<\/span><\/p><p><b style=\"color: #808080;\">\u00a0<br \/><\/b><b style=\"color: #808080;\">PROGRAM KEYS<\/b><\/p><p><span style=\"color: #808080;\">-A <b>glissando<\/b> in music is an ornamentation, a sound effect consisting of moving quickly from one sound to another, higher and lower, making all the sounds in between be heard, a sweep of possible notes depending on the characteristics of the instrument.<\/span><\/p><p><span style=\"color: #808080;\">-The <b>color<\/b> in the music of <b>Olivier Messiaen<\/b>color underlies the heart of the music of <b>Messiaen<\/b>. <b>Messiaen<\/b> thought that terms such as <em>\"tonal\"<\/em>, <em>\"modal\"<\/em> o <em>\"serial\"<\/em> are misleading analytical conveniences. For him there were no modal, tonal or serial compositions, only colored music and uncolored music ara <b>Messiaen<\/b>, <b>Mozart<\/b>, <b>Chopin<\/b>, <b>Wagner<\/b>, <b>Mussorgsky<\/b> and <b>Stravinsky<\/b>all of them wrote strongly colored music.<\/span><\/p><p><span style=\"color: #808080;\">In some of his scores, <b>Messiaen<\/b> noted the colors of the music -especially in the <b>Couleurs de la Cit\u00e9 C\u00e9leste<\/b> and in <b>Canyons with towers<\/b><em>...<\/em>- for the purpose of assisting the conductor in interpretation, rather than to specify what colors the listener should experience. The importance of color is linked to the synaesthesia that <b>Messiaen<\/b> experienced, which made him perceive colors when he listened to or imagined music (although he said he did not visually perceive colors).<\/span><\/p><p><span style=\"color: #808080;\"><b>George Benjamin<\/b>when asked about the main influence of <b>Messiaen<\/b> about the composers, he said: <em>\"I think of the sheer - the word he liked - color as the most influential...rather more than as a decorative element, [Messiaen showed that color could be fundamental, structural element...the fundamental material of the music itself.\"<\/em><\/span><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">ABOUT THE MARTENOT WAVES INSTRUMENT<\/b><\/p><p><span style=\"color: #808080;\">It is an electronic keyboard instrument designed and built by the cellist of the same name. The French <b>Maurice Martenot<\/b>\u00a0 \u00a0(Paris 1898-Clichy 1980) began his musical education at an early age, giving his first cello concert at the age of nine years accompanied by his sister <b>Ginette<\/b>. Eventually she would become the first soloist on the instrument created by her brother known as the <strong>Martenot Waves<\/strong>. <b>Maurice<\/b> was also passionate about science, an area in which he was completely self-taught, and about teaching. He also wrote books on relaxation and breathing techniques and, together with his older sister <b>Madaleine<\/b>developed the teaching method <b>Martenot<\/b>widely distributed in France.<\/span><\/p><p><span style=\"color: #808080;\">To understand how the instrument works it is necessary to understand an acoustic phenomenon. The string of an instrument like the piano, when the note A4 is plucked, has a frequency of 440 Hz, that is, it vibrates 440 times per second. Depending on the speed of this vibration, the frequency will be higher or lower. The radio used by <b>Martenot<\/b> only operated at a very high frequency, emitting an inaudible ultrasonic note to the human ear, of around<strong> 40,000 Hz<\/strong>. Therefore, to obtain an audible sound, <b>Martenot<\/b> used the principle of frequency comparison by interference, a system used by musicians when tuning another instrument, producing beats, by combining two oscillations with two slightly different frequencies to generate a third, whose value is the mathematical difference between the first two frequencies. For example, the note A can be produced by the simultaneous production of two inaudible frequencies of 40,000 and 40,440 Hz. The first frequency is fixed and never changes while the second is variable, modified by the performer playing the instrument, either through a keyboard or by the movement of a wire or tape.<\/span><\/p><p><span style=\"color: #808080;\">An example of the instrument made with the characteristics of the <b>Martenot Waves<\/b>, <b>Ondomo<\/b> designed by the Japanese <b>Naoyuki Omo.<\/b><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bf9e9ba elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bf9e9ba\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3939971\" data-id=\"3939971\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fcbd72f elementor-widget elementor-widget-video\" data-id=\"fcbd72f\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=1z0LAaMkmok&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teor\u00eda Incertidumbre #4 Pierre Schaeffer, Steve Reich, Charles Dodge, Yoji Yuasa, Olivier Messiaen y Ondas Martenot INTRODUCCI\u00d3N Pierre Schaeffer &#8211; Etude Aux Chemins De FerSteve Reich \u2013 Pendulum MusicCharles Dodge \u2013 He destroyed her imageYoji Yuasa \u2013 Projection Esemplastic for White Noise \u00a0OBRA FINAL Olivier Messiaen &#8211; F\u00eate des belles eaux (1937) \u00a0CLAVES DEL PROGRAMA [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1436","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Teor\u00eda Incertidumbre #4 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teor\u00eda Incertidumbre #4 -\" \/>\n<meta property=\"og:description\" content=\"Teor\u00eda Incertidumbre #4 Pierre Schaeffer, Steve Reich, Charles Dodge, Yoji Yuasa, Olivier Messiaen y Ondas Martenot INTRODUCCI\u00d3N Pierre Schaeffer &#8211; Etude Aux Chemins De FerSteve Reich \u2013 Pendulum MusicCharles Dodge \u2013 He destroyed her imageYoji Yuasa \u2013 Projection Esemplastic for White Noise \u00a0OBRA FINAL Olivier Messiaen &#8211; F\u00eate des belles eaux (1937) \u00a0CLAVES DEL PROGRAMA [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-4\/\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/teslafm.net\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-12T15:27:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/09\/header-image-4-temp.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1274\" \/>\n\t<meta property=\"og:image:height\" content=\"818\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@teslafm\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-4\\\/\",\"url\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-4\\\/\",\"name\":\"Teor\u00eda Incertidumbre #4 -\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#website\"},\"datePublished\":\"2019-01-29T12:04:50+00:00\",\"dateModified\":\"2020-07-12T15:27:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-4\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-4\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-4\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/teslafm.net\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Teor\u00eda Incertidumbre #4\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#website\",\"url\":\"https:\\\/\\\/teslafm.net\\\/\",\"name\":\"TeslaFM\",\"description\":\"An experimental and creative radio\",\"publisher\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/teslafm.net\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#organization\",\"name\":\"TeslaFM\",\"url\":\"https:\\\/\\\/teslafm.net\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/teslafm.net\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/logo-tesla.png\",\"contentUrl\":\"https:\\\/\\\/teslafm.net\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/logo-tesla.png\",\"width\":512,\"height\":512,\"caption\":\"TeslaFM\"},\"image\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/teslafm.net\",\"https:\\\/\\\/x.com\\\/teslafm\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Theory Uncertainty #4 -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-4\/","og_locale":"en_US","og_type":"article","og_title":"Teor\u00eda Incertidumbre #4 -","og_description":"Teor\u00eda Incertidumbre #4 Pierre Schaeffer, Steve Reich, Charles Dodge, Yoji Yuasa, Olivier Messiaen y Ondas Martenot INTRODUCCI\u00d3N Pierre Schaeffer &#8211; Etude Aux Chemins De FerSteve Reich \u2013 Pendulum MusicCharles Dodge \u2013 He destroyed her imageYoji Yuasa \u2013 Projection Esemplastic for White Noise \u00a0OBRA FINAL Olivier Messiaen &#8211; F\u00eate des belles eaux (1937) \u00a0CLAVES DEL PROGRAMA [&hellip;]","og_url":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-4\/","article_publisher":"https:\/\/www.facebook.com\/teslafm.net","article_modified_time":"2020-07-12T15:27:11+00:00","og_image":[{"width":1274,"height":818,"url":"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/09\/header-image-4-temp.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_site":"@teslafm","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/teslafm.net\/teoria-incertidumbre-4\/","url":"https:\/\/teslafm.net\/teoria-incertidumbre-4\/","name":"Theory Uncertainty #4 -","isPartOf":{"@id":"https:\/\/teslafm.net\/#website"},"datePublished":"2019-01-29T12:04:50+00:00","dateModified":"2020-07-12T15:27:11+00:00","breadcrumb":{"@id":"https:\/\/teslafm.net\/teoria-incertidumbre-4\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/teslafm.net\/teoria-incertidumbre-4\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/teslafm.net\/teoria-incertidumbre-4\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/teslafm.net\/"},{"@type":"ListItem","position":2,"name":"Teor\u00eda Incertidumbre #4"}]},{"@type":"WebSite","@id":"https:\/\/teslafm.net\/#website","url":"https:\/\/teslafm.net\/","name":"TeslaFM","description":"An experimental and creative radio","publisher":{"@id":"https:\/\/teslafm.net\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/teslafm.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/teslafm.net\/#organization","name":"TeslaFM","url":"https:\/\/teslafm.net\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/teslafm.net\/#\/schema\/logo\/image\/","url":"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/06\/logo-tesla.png","contentUrl":"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/06\/logo-tesla.png","width":512,"height":512,"caption":"TeslaFM"},"image":{"@id":"https:\/\/teslafm.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/teslafm.net","https:\/\/x.com\/teslafm"]}]}},"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Ishak","author_link":"https:\/\/teslafm.net\/en\/author\/cravan\/"},"rttpg_comment":0,"rttpg_category":null,"rttpg_excerpt":"Teor\u00eda Incertidumbre #4 Pierre Schaeffer, Steve Reich, Charles Dodge, Yoji Yuasa, Olivier Messiaen y Ondas Martenot INTRODUCCI\u00d3N Pierre Schaeffer &#8211; Etude Aux Chemins De FerSteve Reich \u2013 Pendulum MusicCharles Dodge \u2013 He destroyed her imageYoji Yuasa \u2013 Projection Esemplastic for White Noise \u00a0OBRA FINAL Olivier Messiaen &#8211; F\u00eate des belles eaux (1937) \u00a0CLAVES DEL PROGRAMA&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=1436"}],"version-history":[{"count":16,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1436\/revisions"}],"predecessor-version":[{"id":54440,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1436\/revisions\/54440"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=1436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}