{"id":1519,"date":"2019-02-06T23:24:35","date_gmt":"2019-02-06T22:24:35","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=1519"},"modified":"2021-03-05T13:31:50","modified_gmt":"2021-03-05T12:31:50","slug":"la-pantalla-silenciosa-5","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/la-pantalla-silenciosa-5\/","title":{"rendered":"The Silent Screen #5"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1519\" class=\"elementor elementor-1519\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7049d0d3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7049d0d3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5353cfcf\" data-id=\"5353cfcf\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5897c0b6 elementor-widget elementor-widget-text-editor\" data-id=\"5897c0b6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>The Silent Screen #5<\/strong><\/span><\/h2>\n<p><em style=\"color: rgb(128, 128, 128);\">Napoleon (1927) BSO by Arthur Honegger<\/em><\/p>\n<p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fla-pantalla-silenciosa-5-shak-benavides%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<h6><span style=\"color: #808080;\"><b>The Assassination of the Duke of Guise (1908) BSO by Camille Saint-Sa\u00ebns<\/b><\/span><\/h6>\n<p><span style=\"color: #808080;\">Original title: <strong>L'assassinat du duc de Guise<\/strong>. Year: <strong>1908<\/strong>. Duration: <strong>15 minutes<\/strong> (300 meters). Country: <strong>France<\/strong>. Director: <strong>Charles Le Bargy<\/strong> (direction of actors) and <strong>Andr\u00e9 Calmettes<\/strong> (staging) . Script: <strong>Henri Lavedan<\/strong>. Production: <strong>Art film<\/strong>. Decorated: <strong>\u00c9mile Bertin<\/strong>. Music: <strong>Camille Saint-Sa\u00ebns<\/strong>. Interp\u00e9tes: <strong>Charles Le Bargy<\/strong> (Henry III), <strong>Albert Lambert<\/strong> (the Duke of Guisa), <strong>Gabrielle Robinne<\/strong> (the Marquesa), <strong>Berthe Bovy<\/strong>. Genre: <strong>drama<\/strong> \/ <strong>historical<\/strong> \/ <strong>XVI century<\/strong> \/ <strong>silent movies<\/strong> \/ <strong>origins of cinema<\/strong> \/ <strong>short film<\/strong>.<\/span><\/p>\n<p><span style=\"color: #808080;\">In 1908, French screens were invaded by coarse farces and sweetened melodramas... which delighted the popular public. The elite is ashamed of this <em>\"idiots' amusement\".<\/em>. Eager to <em>\"raising the level of the cinematographer\".<\/em>and to increase their audience, some industrious publishers, the brothers <strong>Lafitte<\/strong>create the <strong>Soci\u00e9t\u00e9 du Film d'art<\/strong>. They appeal to theater artists and the <em>\"big issues\"<\/em>. Other firms will imitate them, notably the <strong>Soci\u00e9t\u00e9 cin\u00e9matographique des auteurs et gens de lettres<\/strong> (SCAGI) of <strong>Pierre Decourcelle<\/strong>.<\/span><\/p>\n<p><span style=\"color: #808080;\">Film-manifesto,<strong> The assassin of the Duke of Guisa <\/strong>included in its credits the names of an academic (<strong>Henri Lavedan<\/strong>), of actors from the <strong>Fran\u00e7ais<\/strong> and a renowned composer (<strong>Camille Saint-Sa\u00ebns<\/strong>), in charge of composing an original score, something that had not been seen until then. On the technical level, the film is not lacking in qualities. Its influence was especially noticeable abroad: <strong>Griffith<\/strong> and <strong>Dreyer<\/strong>among others, found there the beginnings of a new dramaturgy.<\/span><\/p>\n<p><span style=\"color: #808080;\"><strong>The Art Film<\/strong> continued its activities until 1920, under the impetus of <strong>Louis Nalpas<\/strong>. <strong>Sarah Bernhardt<\/strong> will shoot there <strong>Lady of the Camellias<\/strong> (1912), and also debuted there. <strong>Abel Gance<\/strong>. <strong>Louis Delluc<\/strong> has paid tribute to its promoters in the following terms: <em>\"To have understood before anyone else in France that cinema was or would be an art constitutes an egregious title of glory.\"<\/em>. \"<em>The assassination of the Duke of Guise marks the end of cinema's fair period; it concretizes the divorce between the pioneers and the masters of the industry\".<\/em> (<strong>Henri Langlois<\/strong>).<\/span><\/p>\n<p><span style=\"color: #808080;\">In 1980, the Film Archive Service restored the original tinted version of the film, adding the music by <strong>Saint-Sa\u00ebns<\/strong>. Presented at the <strong>Palais des Arts<\/strong> in Paris, in the presence of <strong>Gabrielle Robinne<\/strong>the film was once again a success.<\/span><\/p>\n<h6><span style=\"color: #808080;\"><br><b>Napoleon (1927) BSO by Arthur Honegger<\/b><\/span><\/h6>\n<p><span style=\"color: #808080;\">Few artistic works have escaped the control of their creator as much as the <em>\"Napoleon\" <\/em>from <strong>Abel Gance<\/strong>. From the moment he conceived the idea of filming a life of the emperor, <strong>Gance<\/strong> He would not cease to debate it internally, introducing constant changes, never giving it up, and even destroying some of its sequences in a moment of desperation.<\/span><\/p>\n<p><span style=\"color: #808080;\">The vicissitudes suffered by <em>\"Napoleon vu par Abel Glance\".<\/em> would be endless. The first version, which premiered on April 7, 1927 at the <strong>Paris Opera House<\/strong>had 28 reels. It was only shown in its entirety in eight European cities, and no complete copy currently exists. For its exploitation in commercial circuits, <strong>Gance<\/strong> had to reduce it by a little more than half. <strong>MGM<\/strong> bought the film for distribution in America and left it on only eight reels. In Europe, its footage also suffered different damages. Then, in 1934, a first version with dialogues and stereophonic sound was considered, with a length of 130 minutes, for which he shot a prologue and new spoken scenes. Twenty-one years later, the film was retaken, changing its title to <em>\"Napoleon Bonaparte\"<\/em>and including the final sequences with triple screen. In 1971, with the financial support of <strong>Claude Lelouch<\/strong>rebounded <em>\"Napoleon vu par Abel Gance\".<\/em> with a running time of 275 minutes, including a color introduction.<\/span><\/p>\n<p><span style=\"color: #808080;\">The silent copy preserved by the <strong>Cinematheque Fran\u00e7aise<\/strong>The film, with 17 reels, contained several scenes with repeated shots. <strong>Francis Ford Coppola<\/strong> distributed in the eighties a version of almost 230 minutes, with music by <strong>Carmine Coppola<\/strong>. The most complete reconstruction is due to the British historian <strong>Kevin Brownlow<\/strong>on behalf of the <strong>National Film Archive<\/strong> of London with 250 minutes of duration.<\/span><\/p>\n<p><span style=\"color: #808080;\">It is a fascinating film from beginning to end. The richness of its images, its capacity for poetic suggestion, the changing rhythm with which it envelops and drags the spectator without his interest waning for a single moment, make it a singular work. But it also contains significant technical advances. From its subjective photography, to the polyvision or triple projection on a panoramic screen.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-688a84e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"688a84e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ef5da76\" data-id=\"ef5da76\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-680e7bd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"680e7bd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4f3a5f9\" data-id=\"4f3a5f9\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0726685 elementor-widget elementor-widget-image\" data-id=\"0726685\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"760\" height=\"1024\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Affiche_de_film_A\u0086_LAssassinat_du_Duc_de_Guise_A\u0098-760x1024-1-760x1024.jpg\" class=\"attachment-large size-large wp-image-57086\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Affiche_de_film_A\u0086_LAssassinat_du_Duc_de_Guise_A\u0098-760x1024-1-760x1024.jpg 760w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Affiche_de_film_A\u0086_LAssassinat_du_Duc_de_Guise_A\u0098-760x1024-1-223x300.jpg 223w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Affiche_de_film_A\u0086_LAssassinat_du_Duc_de_Guise_A\u0098-760x1024-1-768x1034.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Affiche_de_film_A\u0086_LAssassinat_du_Duc_de_Guise_A\u0098-760x1024-1.jpg 802w\" sizes=\"(max-width: 760px) 100vw, 760px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-6099168\" data-id=\"6099168\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c46dc7f elementor-widget elementor-widget-image\" data-id=\"c46dc7f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1000\" height=\"783\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/02\/napoleon-1927-017-three-triptychs_1.jpg\" class=\"attachment-large size-large wp-image-1521\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/02\/napoleon-1927-017-three-triptychs_1.jpg 1000w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/02\/napoleon-1927-017-three-triptychs_1-300x235.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/02\/napoleon-1927-017-three-triptychs_1-768x601.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>La Pantalla Silenciosa #5 Napole\u00f3n (1927) BSO por Arthur Honegger El asesinato del duque de Guisa (1908) BSO por Camille Saint-Sa\u00ebns T\u00edtulo original: L&#8217;assassinat du duc de Guise. A\u00f1o: 1908. Duraci\u00f3n: 15 minutos (300 metros). Pa\u00eds: Francia. Director: Charles Le Bargy (direcci\u00f3n de actores) y Andr\u00e9 Calmettes (puesta en escena) . Gui\u00f3n: Henri Lavedan. Producci\u00f3n: [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1519","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Pantalla Silenciosa #5 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/la-pantalla-silenciosa-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Pantalla Silenciosa #5 -\" \/>\n<meta property=\"og:description\" content=\"La Pantalla Silenciosa #5 Napole\u00f3n (1927) BSO por Arthur Honegger El asesinato del duque de Guisa (1908) BSO por Camille Saint-Sa\u00ebns T\u00edtulo original: L&#8217;assassinat du duc de Guise. A\u00f1o: 1908. Duraci\u00f3n: 15 minutos (300 metros). Pa\u00eds: Francia. Director: Charles Le Bargy (direcci\u00f3n de actores) y Andr\u00e9 Calmettes (puesta en escena) . Gui\u00f3n: Henri Lavedan. 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A\u00f1o: 1908. Duraci\u00f3n: 15 minutos (300 metros). Pa\u00eds: Francia. Director: Charles Le Bargy (direcci\u00f3n de actores) y Andr\u00e9 Calmettes (puesta en escena) . Gui\u00f3n: Henri Lavedan. 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