{"id":1752,"date":"2019-02-25T09:05:45","date_gmt":"2019-02-25T08:05:45","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=1752"},"modified":"2021-02-04T11:32:58","modified_gmt":"2021-02-04T10:32:58","slug":"ananke-5","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/ananke-5\/","title":{"rendered":"Anank\u00e9 #5"},"content":{"rendered":"<h2><span style=\"color: #ffffff;\"><strong>Anank\u00e9 - Chapter V<\/strong><\/span><\/h2>\n<p><span style=\"color: #808080;\"><em>February 2019<\/em><\/span><\/p>\n<p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fanank%C3%A9-5-jaco%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<p><span style=\"color: #808080;\">01. <strong>Henry Krutzen<\/strong> - La Machine - Silances (Igloo, 1979)<\/span><br \/>\n<span style=\"color: #808080;\">02. <strong>Jasmine Guffond<\/strong> - Post Human - Traced (Sonic Pieces, 2017)<\/span><br \/>\n<span style=\"color: #808080;\">03. <strong>Richard Skelton<\/strong> - Second Channel - A Channel for Water (Corbel Stone, 2018).<\/span><br \/>\n<span style=\"color: #808080;\">04. <strong>irr. app. (ext.)<\/strong> - Significant Memory In The Grip Of Declension - An Uncertain Animal, Ruptured; Tissue Expanding In Conversation (Errata in Excelsis, 1997)<\/span><br \/>\n<span style=\"color: #808080;\">05. <strong>Liberez<\/strong> - Celophane Window - Way Through Vulnerability (Alter, 2018).<\/span><br \/>\n<span style=\"color: #808080;\">06. <strong>Kovtum<\/strong> - The Swarm - DEATH (Sinewave, 2019)<\/span><br \/>\n<span style=\"color: #808080;\">07. <strong>Takahiro Mukai<\/strong> - 9010 - Sand Container (Paralaxe Editions, 2017).<\/span><br \/>\n<span style=\"color: #808080;\">08. <strong>Angharad Davies<\/strong>,<strong> Tisha Mukarji<\/strong>,<strong> Dimitra Lazaridou<\/strong>-Chatzigoga - Moraine - Outwash (Another Timbre, 2012)<\/span><br \/>\n<span style=\"color: #808080;\">09. <strong>David Shire<\/strong> - To The Office \/ The Elevator - The Conversation O.S.T. (1974 (Film) Trunk Records, 2018).<\/span><br \/>\n<span style=\"color: #808080;\">10. <strong>A Winged Victory For The Sullen<\/strong> - All Farewells Are Sudden - A Winged Victory For The Sullen (Kranky\/Erased Tapes, 2011)<\/span><br \/>\n<span style=\"color: #808080;\">11. <strong>Cyclobe<\/strong> - Thinking Feeling - Luminous Darkness (Phantom Code, 1999)<\/span><br \/>\n<span style=\"color: #808080;\">12. <strong>Nadine Byrne<\/strong> - Okay - Dreaming Remembering (iDEAL, 2018).<\/span><br \/>\n<span style=\"color: #808080;\">13. <strong>Deena<\/strong> Abdelwahed - Ken Skett - Khonnar (Infin\u00e9, 2018)<\/span><br \/>\n<span style=\"color: #808080;\">14. <strong>Dame Area<\/strong> - White Feather - Centro Di Gravit\u00e1 (M\u00e0gia Roja - Burka for Everybody, 2018)<\/span><br \/>\n<span style=\"color: #808080;\">15. <strong>Roe Enney<\/strong> - Ouroboros - Glare (Root Strata, 2017)<\/span><br \/>\n<span style=\"color: #808080;\">16. <strong>Edward Ka-Spel<\/strong> - The Blue Room - The Blue Room (Soleilmoon, 1998)<\/span><br \/>\n<span style=\"color: #808080;\">17. <strong>Caroline K<\/strong> - Tracking With Close-Ups - Now Wait for Last Year (Earthly Delights, 1987)<\/span><br \/>\n<span style=\"color: #808080;\">18. <strong>Troller<\/strong> - Graphic - Graphic (Holodeck, 2016)<\/span><br \/>\n<span style=\"color: #808080;\">19. <strong>Severed Heads<\/strong> - Nature 10 - Come Visit the Big Bigot (Nettwerk, 1986\/Dark Entries, 2017 reissue).<\/span><br \/>\n<span style=\"color: #808080;\">20. <strong>Lewis<\/strong> - I Thought The World Of You - L'Amour (R.A.W. 1983\/Light in the Attic, 2014)<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Anank\u00e9 &#8211; Cap\u00edtulo V Febrero 2019 01. Henry Krutzen &#8211; La Machine &#8211; Silances (Igloo, 1979) 02. Jasmine Guffond &#8211; Post Human &#8211; Traced (Sonic Pieces, 2017) 03. Richard Skelton &#8211; Second Channel &#8211; A Channel for Water (Corbel Stone, 2018) 04. irr. app. (ext.) &#8211; Significant Memory In The Grip Of Declension &#8211; An [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1752","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anank\u00e9 #5 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/ananke-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anank\u00e9 #5 -\" \/>\n<meta property=\"og:description\" content=\"Anank\u00e9 &#8211; Cap\u00edtulo V Febrero 2019 01. 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Henry Krutzen &#8211; La Machine &#8211; Silances (Igloo, 1979) 02. Jasmine Guffond &#8211; Post Human &#8211; Traced (Sonic Pieces, 2017) 03. Richard Skelton &#8211; Second Channel &#8211; A Channel for Water (Corbel Stone, 2018) 04. irr. app. (ext.) &#8211; Significant Memory In The Grip Of Declension &#8211; An [&hellip;]","og_url":"https:\/\/teslafm.net\/en\/ananke-5\/","article_publisher":"https:\/\/www.facebook.com\/teslafm.net","article_modified_time":"2021-02-04T10:32:58+00:00","og_image":[{"width":1274,"height":818,"url":"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/09\/header-image-4-temp.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_site":"@teslafm","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/teslafm.net\/ananke-5\/","url":"https:\/\/teslafm.net\/ananke-5\/","name":"Anank\u00e9 #5 -","isPartOf":{"@id":"https:\/\/teslafm.net\/#website"},"datePublished":"2019-02-25T08:05:45+00:00","dateModified":"2021-02-04T10:32:58+00:00","breadcrumb":{"@id":"https:\/\/teslafm.net\/ananke-5\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/teslafm.net\/ananke-5\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/teslafm.net\/ananke-5\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/teslafm.net\/"},{"@type":"ListItem","position":2,"name":"Anank\u00e9 #5"}]},{"@type":"WebSite","@id":"https:\/\/teslafm.net\/#website","url":"https:\/\/teslafm.net\/","name":"TeslaFM","description":"An experimental and creative radio","publisher":{"@id":"https:\/\/teslafm.net\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/teslafm.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/teslafm.net\/#organization","name":"TeslaFM","url":"https:\/\/teslafm.net\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/teslafm.net\/#\/schema\/logo\/image\/","url":"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/06\/logo-tesla.png","contentUrl":"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/06\/logo-tesla.png","width":512,"height":512,"caption":"TeslaFM"},"image":{"@id":"https:\/\/teslafm.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/teslafm.net","https:\/\/x.com\/teslafm"]}]}},"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Ishak","author_link":"https:\/\/teslafm.net\/en\/author\/cravan\/"},"rttpg_comment":0,"rttpg_category":null,"rttpg_excerpt":"Anank\u00e9 &#8211; Cap\u00edtulo V Febrero 2019 01. Henry Krutzen &#8211; La Machine &#8211; Silances (Igloo, 1979) 02. Jasmine Guffond &#8211; Post Human &#8211; Traced (Sonic Pieces, 2017) 03. Richard Skelton &#8211; Second Channel &#8211; A Channel for Water (Corbel Stone, 2018) 04. irr. app. (ext.) &#8211; Significant Memory In The Grip Of Declension &#8211; An&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=1752"}],"version-history":[{"count":8,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1752\/revisions"}],"predecessor-version":[{"id":56677,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/1752\/revisions\/56677"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=1752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}