{"id":2267,"date":"2019-04-10T15:11:15","date_gmt":"2019-04-10T13:11:15","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=2267"},"modified":"2020-07-12T18:55:34","modified_gmt":"2020-07-12T16:55:34","slug":"teoria-incertidumbre-7","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-7\/","title":{"rendered":"Uncertainty Theory #7"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"2267\" class=\"elementor elementor-2267\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-49da9d6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"49da9d6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-68564538\" data-id=\"68564538\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-25184d0c elementor-widget elementor-widget-text-editor\" data-id=\"25184d0c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Uncertainty Theory #7<\/strong><\/span><\/h2><p><span style=\"color: #808080;\"><em>Harry Partch, Diamond Marimba and The Residents<\/em><\/span><\/p><p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fteor%C3%ADa-incertidumbre-7-andrea-bravo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p><p><span style=\"color: #808080;\"><b>INTRODUCTION<\/b><\/span><\/p><p><span style=\"color: #808080;\"><strong>Harry Partch.<\/strong> <\/span><span style=\"color: #808080;\">Diamond Marimba (from the album The World of Harry Partch (1969))<\/span><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">WORKS<\/b><\/p><p><span style=\"color: #808080;\"><b>Harry Partch<\/b> - Elven Intrusions (1946-1950) track:<\/span><br \/><span style=\"color: #808080;\">11.- Cloud Chamber music.<\/span><\/p><p><span style=\"color: #808080;\"><b>Harry Partch<\/b> - Plectra and Percussion Dances (1952).<\/span><br \/><span style=\"color: #808080;\">01. Beaver.<\/span><br \/><span style=\"color: #808080;\">02. Pollux<\/span><\/p><p><span style=\"color: #808080;\"><b>Harry Partch<\/b> - Ulysses at the Edge (1955).<\/span><\/p><p><span style=\"color: #808080;\"><b>The Residents<\/b> - Mole Show (1983) tracks:<\/span><br \/><span style=\"color: #808080;\">01. The New Machine.<\/span><br \/><span style=\"color: #808080;\">02. The Ultimate desaster.<\/span><br \/><span style=\"color: #808080;\">03. The Voices in the air.<\/span><br \/><span style=\"color: #808080;\">04. Another land.<\/span><br \/><span style=\"color: #808080;\">04. God of Darkness.<\/span><\/p><p><span style=\"color: #808080;\"><strong>Diamond Marimba or diamond marimba<\/strong>is a marimba tuned in the so-called \"diamond key\". The way the pieces of the marimba are placed are the same as the scheme I designed with the Diamond tuning.<\/span><\/p><p><span style=\"color: #808080;\"><strong>\u00a0<br \/><\/strong><\/span><strong style=\"color: #808080;\">DIAMOND COLOR<\/strong><\/p><p><span style=\"color: #808080;\">In music theory and tuning, a diamond key is a two-dimensional diagram of proportions in which one dimension is the Otonality and the Utonality, generating a diamond-like rhombus shape, the diagram will be made following the <\/span><span style=\"color: #808080;\">odd numbers in the denominator, there will be limits 5, 7, 11 and 15 as the most usual, we will call this limit, limit n. This diamond can be considered as a set of pitch classes, where a pitch class is a pitch equivalence class in\u00a0<\/span><span style=\"color: #808080;\">octave equivalence. Diamond tonality is often considered to comprise the set of consonances of boundary n. Although it was originally invented by <strong>Max Friedrich Meyer<\/strong>the diamond shade is now more associated with <strong>Harry Partch <\/strong><\/span><span style=\"color: #808080;\">(<em>\"Many music theorists consider Partch's diamond tonality to have been a major contribution to microtonal theory.\"<\/em> ).<\/span><\/p><p><span style=\"color: #808080;\">About the work <b>Elven Intrusions<\/b>It is composed of 11 parts ranging in length from less than a minute to four minutes. Some were composed to highlight the concept of tone in certain instruments that he adapted, such as the diamond marimba. <\/span><span style=\"color: #808080;\">The piece that appears in the program, the last one to be composed, track number 11, <strong>Cloud Chamber Music<\/strong>was composed for voice and original instruments such as, his adapted viola, his adapted guitar III, his kithara, his diamond marimba, his <em>\"cloud chamber bowls\"<\/em>and his bass marimba, among others. He used the composition of <em>\"Song of the Boys.\"<\/em> of a New Mexico tribe called Isleta de referencia.<\/span><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">SOME IDEAS FROM HARRY PARTCH<\/b><\/p><p><span style=\"color: #808080;\"><i>\"Music is not just a scale, it's not just chords and eight-bar phrases, it's not a certain meter, it doesn't even have to be a melody, we have to learn to listen and that's why we shouldn't close ourselves off, nothing prevents us from continuing with tradition while looking for new paths.\"<\/i><\/span><\/p><p><em><span style=\"color: #808080;\">\"I have seen through most of my life how the solitary and contemplative investigation of music and materials is discouraged by the dogma that the West is the center of all knowledge and experience. The doors that are closed because of education are the saddest doors mankind has ever passed through.\"<\/span><\/em><\/p><p><span style=\"color: #808080;\"><strong>Partch<\/strong> described his music as corporeal, seeking that the execution of the instruments involve the whole body in the creation of art. At the same time he opposed it to what he called abstract music, music in which the instrumental predominates, and which is subject to only a system of tonalities. Strongly influenced by the music and drama of Ancient Greece, and two styles of Japanese drama, <strong>Partch<\/strong> composed long, large-scale pieces, which were intended to be performed theatrically, with actors dancing, singing, speaking and playing instruments on stage.<\/span><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">BAND INFLUENCED BY HARRY PARTCH<\/b><\/p><p><span style=\"color: #808080;\"><strong>The Residents<\/strong> are a collective of Louisiana musicians who have decided to maintain their anonymity by not disclosing their names and wearing masks for their live performances, which usually consist of staged <em>\"theatrical\"<\/em> Their style of music is based on the deconstruction of certain popular music and conceptual music that usually revolves around the idea of some theory or plot. Pioneers in the use of CD-ROM, they released their first album in 1974. They are still active today.<\/span><\/p><p><span style=\"color: #808080;\">There is a mythologizing legend that the theory of Darkness and the theory of the phonetic organization of the seemingly nonexistent N. Senada was originally written by <strong>Harry Partch<\/strong>two basic theories for <strong>The Residents<\/strong>from <strong>Uncertainty Theory<\/strong> We take it rather as an anecdote to connect the dots in terms of the relationship between <strong>Partch<\/strong> and the band.<\/span><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">LINKS<\/b><\/p><p><span style=\"color: #808080;\">The Letter from <strong>Harry Partch<\/strong> (where the Diamond Marimba appears)<\/span><\/p><p><iframe title=\"The Letter, by Harry Partch\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/Jo2MHYePnjU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p><p><span style=\"color: #808080;\"><b>\u00a0<br \/><\/b><\/span><b style=\"color: #808080;\">BIBLIOGRAPHY .<\/b><\/p><p><span style=\"color: #808080;\">Genesis of a music de <strong>Harry Partch<\/strong>.<br \/><\/span><span style=\"color: #808080;\">Sound images: a plurisensorial reading in 20th century art. Written by <\/span><strong style=\"color: #808080;\">Javier Ariza.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a2fa8d2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a2fa8d2\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-016c466\" data-id=\"016c466\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f85ccc4 elementor-widget elementor-widget-image\" data-id=\"f85ccc4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Harry-Partch-1024x768.jpg\" class=\"attachment-large size-large wp-image-2271\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Harry-Partch-1024x768.jpg 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Harry-Partch-300x225.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Harry-Partch-768x576.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Harry-Partch.jpg 1050w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-dd9ffaf\" data-id=\"dd9ffaf\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ffbb19b elementor-widget elementor-widget-image\" data-id=\"ffbb19b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"848\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Diamond_Marimba-1024x848.jpg\" class=\"attachment-large size-large wp-image-2272\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Diamond_Marimba-1024x848.jpg 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Diamond_Marimba-300x248.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2019\/04\/Diamond_Marimba-768x636.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teor\u00eda Incertidumbre #7 Harry Partch, Diamond Marimba y The Residents INTRODUCCI\u00d3N Harry Partch. Diamond Marimba (del disco The World of Harry Partch (1969)) \u00a0OBRAS Harry Partch \u2013 Elven Intrusions (1946-1950) track:11.- Cloud Chamber music. Harry Partch \u2013 Plectra and Percussion Dances (1952).01. Castor.02. Pollux Harry Partch \u2013 Ulysses at the Edge (1955). The Residents \u2013 [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2267","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Teor\u00eda Incertidumbre #7 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teor\u00eda Incertidumbre #7 -\" \/>\n<meta property=\"og:description\" content=\"Teor\u00eda Incertidumbre #7 Harry Partch, Diamond Marimba y The Residents INTRODUCCI\u00d3N Harry Partch. Diamond Marimba (del disco The World of Harry Partch (1969)) \u00a0OBRAS Harry Partch \u2013 Elven Intrusions (1946-1950) track:11.- Cloud Chamber music. Harry Partch \u2013 Plectra and Percussion Dances (1952).01. Castor.02. Pollux Harry Partch \u2013 Ulysses at the Edge (1955). 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Diamond Marimba (del disco The World of Harry Partch (1969)) \u00a0OBRAS Harry Partch \u2013 Elven Intrusions (1946-1950) track:11.- Cloud Chamber music. Harry Partch \u2013 Plectra and Percussion Dances (1952).01. Castor.02. Pollux Harry Partch \u2013 Ulysses at the Edge (1955). The Residents \u2013&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/2267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=2267"}],"version-history":[{"count":12,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/2267\/revisions"}],"predecessor-version":[{"id":54458,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/2267\/revisions\/54458"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=2267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}