{"id":4730,"date":"2020-03-11T19:55:47","date_gmt":"2020-03-11T18:55:47","guid":{"rendered":"http:\/\/teslafm.net\/?page_id=4730"},"modified":"2020-07-13T13:19:55","modified_gmt":"2020-07-13T11:19:55","slug":"teoria-incertidumbre-17","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-17\/","title":{"rendered":"Uncertainty Theory #17"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"4730\" class=\"elementor elementor-4730\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-31f5d4a0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"31f5d4a0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-23075206\" data-id=\"23075206\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5ea0e624 elementor-widget elementor-widget-text-editor\" data-id=\"5ea0e624\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Uncertainty Theory #17<\/strong><\/span><\/h2><p><span style=\"color: #808080;\"><em>About Afrofuturism focused on Detroit techno particularly on the Drexciya band and the Roland TR-808 drum machine.<\/em><\/span><\/p><p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fteor%C3%ADa-incertidumbre-17-andrea-bravo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p><p><span style=\"color: #808080;\">About Afrofuturism focused on Detroit techno particularly on the Drexciya band and the Roland TR-808 drum machine.<\/span><\/p><p><span style=\"color: #808080;\"><b><br \/>AUDIOS<\/b><\/span><\/p><p><span style=\"color: #808080;\"><strong>Juan Atkins\/Model 500<\/strong> - Night Drive (Thru-Babylon)<\/span><br \/><span style=\"color: #808080;\"><strong>Drexciya<\/strong> - Antivapor Waves (track 05. The Quest)<\/span><br \/><span style=\"color: #808080;\"><strong>Drexciya<\/strong> - Intensified Magnetron (track 06. The Quest)<\/span><br \/><span style=\"color: #808080;\"><strong>Drexciya<\/strong> - Hydro Cubes (track 07. The Quest)<\/span><br \/><span style=\"color: #808080;\"><strong>Drexciya<\/strong> - You Don't Know (track 02. The Quest)<\/span><br \/><span style=\"color: #808080;\"><strong>Drexciya<\/strong> - Gravity Waves (track 04. Gravel 4)<\/span><br \/><span style=\"color: #808080;\"><strong>Susumu Yokota<\/strong> - Alphaville (track 10. Acid Mt. Fuji full album (1994))<\/span><\/p><p><span style=\"color: #808080;\"><b><br \/>AFROFUTURISM<\/b><\/span><\/p><p><em><span style=\"color: #808080;\">\"The lives of people of African descent in the U.S. are themselves science fiction: the product of the dreams and struggles of past generations who imagined themselves free from slavery.\"<\/span><\/em><\/p><p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-4731\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/afrofuturism.png\" alt=\"\" width=\"1024\" height=\"512\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/afrofuturism.png 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/afrofuturism-300x150.png 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/afrofuturism-768x384.png 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/afrofuturism-600x300.png 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p><p><span style=\"color: #808080;\">It is a type of literary and cultural aesthetic that combines elements of science fiction, historical fiction, fantasy and magical realism with non-Western cosmogonies. The movement has also been defined as the exploration of <em>\"the intersection of black culture, technology, liberation and imagination, with a dash of mysticism as well. It's a way to bridge the future with the past and, in essence, to help reinvent the experience of people of color.\"<\/em><\/span><\/p><p><span style=\"color: #808080;\">It is said that the Afrofuturist approach to music was first brought about by <strong>Sun Ra<\/strong>his music emerged in Chicago in the mid 1950's, when together with the <strong>Arkestra<\/strong> began recording music as a result of the <strong>hard bop<\/strong> and modal resources, creating a new synthesis that used Afrocentric and space-themed titles to reflect the bond of <strong>Ra<\/strong> with African culture, especially Egyptian culture, and the arrival of the <strong>Space Age<\/strong>. The film by <strong>Ra<\/strong> <em>\"Space Is the Place\"<\/em> shows The <strong>Arkestra<\/strong> in Oakland in the mid-1970s in space attire, replete with science fiction props along with other comedic and musical material.<\/span><\/p><p><span style=\"color: #808080;\">Afrofuturist ideas were taken up again in 1975 by <strong>George Clinton<\/strong> and their bands <strong>Parliament<\/strong> and <strong>Funkadelic<\/strong> with his masterpiece <strong>Mothership Connection<\/strong> and subsequent <strong>The Clones of Dr. Funkenstein<\/strong>, <strong>P Funk Earth Tour<\/strong>, <strong>Funkentelechy<\/strong> Vs. the <strong>Placebo Syndrome<\/strong>, y <strong>Motor Booty Affair<\/strong>.<\/span><\/p><p><span style=\"color: #808080;\">Other musicians credited with Afrofuturist influences include reggae producers <strong>Lee<\/strong> <em>\"Scratch\"<\/em> <strong>Perry and Scientist<\/strong>hip-hop artists <strong>Afrika Bambaataa<\/strong> and <strong>Tricky<\/strong>electronic musicians such as <strong>Larry Heard<\/strong>, <strong>A Guy Called Gerald<\/strong>, <strong>John Atkins<\/strong>, <strong>Jeff Mills<\/strong>, <strong>Newcleus<\/strong> and <strong>Lotti Golden &amp; Richard Scher<\/strong>the writers of <em>\"Light Years Away\"<\/em>described as <em>\"the beginning of Afrofuturist beatboxing in the 1980s\".<\/em>.<\/span><\/p><p><span style=\"color: #808080;\"><b><br \/>DREXCIYA<\/b><\/span><\/p><p><span style=\"color: #808080;\">It was an electronic music band from Detroit, born at the end of the 80's, <strong>James Stinson<\/strong> was the only officially recognized member of <strong>Drexciya<\/strong>but it was considered an open secret that he had a partner, <strong>Gerald Donald<\/strong>.<\/span><\/p><p><span style=\"color: #808080;\">The group's name refers to a myth similar to Plato's Atlantis. The group revealed this fact in the liner notes of their 1997 album <strong>The Quest<\/strong>. <strong>Drexciya<\/strong>According to this conception, it was an underwater country populated by the unborn children of pregnant African women who were thrown overboard from ships carrying slaves to the United States. The creatures adapted to breathe underwater inside their mothers' wombs.<\/span><\/p><p><img decoding=\"async\" class=\"alignnone size-full wp-image-4732\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya.jpg 1280w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya-300x169.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya-1024x576.jpg 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya-768x432.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Drexciya-600x338.jpg 600w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-246a134 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"246a134\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f1453a0\" data-id=\"f1453a0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ecceaa7 elementor-widget elementor-widget-text-editor\" data-id=\"ecceaa7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #808080;\">Rumors that <strong>Drexciya<\/strong> had separated in 1997 were denied two years later. <strong>James Stinson<\/strong> when a new song under his name appeared on the compilation by <strong>Underground Resistance Insterstellar Fugitives<\/strong>. This was followed by three new albums by <strong>Drexciya<\/strong>. These albums are believed to have been the solo work of <strong>James Stinson<\/strong>. Both he and <strong>Gerald Donald<\/strong> continued to create prolifically in their respective separate projects.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bf57f35 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bf57f35\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-43333a3\" data-id=\"43333a3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ba73108 elementor-widget elementor-widget-image\" data-id=\"ba73108\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"664\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-1024x664.jpg\" class=\"attachment-large size-large wp-image-4733\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-1024x664.jpg 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-300x195.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-768x498.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-1536x997.jpg 1536w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-2048x1329.jpg 2048w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/DREXCIYA-II-scaled-600x389.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f3bcc40 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f3bcc40\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0c56e20\" data-id=\"0c56e20\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e1f1723 elementor-widget elementor-widget-text-editor\" data-id=\"e1f1723\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #808080;\">Although both members of Drexciya remained in complete anonymity throughout their career, <strong>James Stinson<\/strong> was identified after his death in 2002. The members of <strong>Drexciya<\/strong> They have never been photographed, although they have given interviews, during one of which they wore masks of <strong>Star Trek<\/strong> to conceal their identity.<\/span><\/p>\n<p><span style=\"color: #808080;\"><b><br>ROLAND TR-808 RHYTHM BOX<\/b><\/span><\/p>\n<p><span style=\"color: #808080;\">The <strong>Roland TR-808 Rhythm Composer<\/strong> was one of the first programmable drum machines (<em>\"TR\"<\/em> was short for Transistor Rhythm).<\/span><\/p>\n<p><span style=\"color: #808080;\">Introduced by <strong>Roland Corporation<\/strong> in 1980, was originally conceived for the creation of demos by studio musicians. As a drum machine for <strong>Roland<\/strong> In previous years, their sound did not resemble that of a real drum kit.<\/span><\/p>\n<p><span style=\"color: #808080;\">The <strong>TR-808<\/strong> was a step forward compared to the previous drum machine from <strong>Roland<\/strong>the <strong>CR-78<\/strong>. It had more sounds (12 in total) and better controls to allow real-time control of the sounds: rotary volume knobs for each sound, and pitch and decay adjustment controls for the most important sounds. The memory for storing patterns had increased considerably: 32 different patterns could be stored, and they could also be chained together to generate songs, 12 of which could also be stored in memory. The memory was non-volatile (maintained with the aid of 3 AA batteries). The programming interface had been greatly improved: a row of 16 buttons allowed the user to employ a very intuitive step programming mode - the pattern was divided into 16 steps, and buttons and LEDs indicated whether a certain sound was playing at each step. The unit also featured the then-novel clock interface <strong>DIN-Sync<\/strong> for synchronization with other devices, plus 3 trigger outputs to control other devices. The <strong>TR-808<\/strong> appeared before the invention of the interface <strong>MIDI<\/strong>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-baefee9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"baefee9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-a25bb6c\" data-id=\"a25bb6c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2e82abd elementor-widget elementor-widget-image\" data-id=\"2e82abd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/TR-808.jpg\" class=\"attachment-large size-large wp-image-4734\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/TR-808.jpg 900w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/TR-808-300x200.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/TR-808-768x512.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/TR-808-600x400.jpg 600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-648a20f\" data-id=\"648a20f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2321d8d elementor-widget elementor-widget-image\" data-id=\"2321d8d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"768\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Detroy-Techno-city.jpg\" class=\"attachment-large size-large wp-image-4735\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Detroy-Techno-city.jpg 649w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Detroy-Techno-city-254x300.jpg 254w, https:\/\/teslafm.net\/wp-content\/uploads\/2020\/03\/Detroy-Techno-city-600x710.jpg 600w\" sizes=\"(max-width: 649px) 100vw, 649px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teor\u00eda Incertidumbre #17 Sobre el Afrofuturismo enfocado en el techno de Detroit particularmente en la banda Drexciya y la caja de ritmos Roland TR-808 Sobre el Afrofuturismo enfocado en el techno de Detroit particularmente en la banda Drexciya y la caja de ritmos Roland TR-808. AUDIOS Juan Atkins\/Model 500 \u2013 Night Drive (Thru-Babylon)Drexciya \u2013 Antivapor [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4730","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Teor\u00eda Incertidumbre #17 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-17\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teor\u00eda Incertidumbre #17 -\" \/>\n<meta property=\"og:description\" content=\"Teor\u00eda Incertidumbre #17 Sobre el Afrofuturismo enfocado en el techno de Detroit particularmente en la banda Drexciya y la caja de ritmos Roland TR-808 Sobre el Afrofuturismo enfocado en el techno de Detroit particularmente en la banda Drexciya y la caja de ritmos Roland TR-808. 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