{"id":54273,"date":"2020-07-08T18:45:40","date_gmt":"2020-07-08T16:45:40","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=54273"},"modified":"2020-07-13T14:29:32","modified_gmt":"2020-07-13T12:29:32","slug":"teoria-incertidumbre-21","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-21\/","title":{"rendered":"Uncertainty Theory #21"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"54273\" class=\"elementor elementor-54273\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-75c46929 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"75c46929\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-12ffeee\" data-id=\"12ffeee\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-23a55090 elementor-widget elementor-widget-text-editor\" data-id=\"23a55090\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Uncertainty Theory #21<\/strong><\/span><\/h2><p><span style=\"color: #808080;\"><em>The sound sculptures of Harry Bertoia<\/em><\/span><\/p><p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fteor%C3%ADa-incertidumbre-21-andrea-bravo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p><p><span style=\"color: #808080;\">Harry Bertoia's sound sculptures (includes a reading of the principle of polarity from The Kybalion).<\/span><\/p><p><span style=\"color: #808080;\"><b>AUDIOS<\/b><\/span><\/p><p><span style=\"color: #808080;\">Phosphorescence - Sonambient (1970-1978) - <b>Harry Bertoia.<br \/><\/b><\/span><span style=\"color: #808080;\">Freitags-Gruss - 1st part of 27 from Light Opera (1991-1994) - <b>Karlheinz Stockhausen.<\/b><\/span><\/p><p><span style=\"color: #808080;\"><strong><br \/>SOUND SCULPTURE<br \/><\/strong><\/span><span style=\"color: #808080;\"><br \/>It is an intermediate art form in which a sculpture or any object produces sound (it can be music, sound effects, nature sounds, etc.), or vice versa (when sound is manipulated in a way that creates a sculpture, or gives form, temporary or permanent, to a body). Often, artists who produce sound sculptures come from the visual arts or musical composition.<\/span><\/p><p><span style=\"color: #808080;\"><strong><br \/>BERTOIA AND SOUND ART<br \/><\/strong><\/span><span style=\"color: #808080;\"><br \/>In 1960 until his death in 1978, the Italian <b>Harry Bertoia<\/b> Once settled in the U.S., he dedicated himself to the exploration of tonal sound sculptures and their exuberant harmonics through metal and copper, where his curiosity was awakened with respect to the form and how, when the materials were combined, they generated mysterious sounds. He continued to explore and finally arrived at his famous pieces, <i>\"constructed in such a way that they can move in the air, or can be played as if they were an instrument.\"<\/i>.<\/span><\/p><p><span style=\"color: #808080;\">Without being a musician or a sound designer, he is somewhere between a luthier and a sculptor, exploring sound according to different materials and reactions between them, which open the way to a fascinating work called <b>Sonambient<\/b> (recorded from 1970 to 1978). With over 100 pieces developed since its original conception in his barn in Pennsylvania, <b>Sonambient<\/b> represents the sculptural legacy of <b>Bertoia<\/b>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cd1ff7d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cd1ff7d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-faa94bd\" data-id=\"faa94bd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-08fba07 elementor-widget elementor-widget-gallery\" data-id=\"08fba07\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;columns&quot;:3,&quot;aspect_ratio&quot;:&quot;4:3&quot;,&quot;lazyload&quot;:&quot;yes&quot;,&quot;gallery_layout&quot;:&quot;grid&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;overlay_background&quot;:&quot;yes&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/07\/harry-bertoia.jpg\" data-width=\"1500\" data-height=\"1200\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/07\/Bertoia-IV.jpg\" data-width=\"1280\" data-height=\"720\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/teslafm.net\/wp-content\/uploads\/2020\/07\/Harry-Bertoia0216.jpg\" data-width=\"914\" data-height=\"672\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teor\u00eda Incertidumbre #21 Las esculturas sonoras de Harry Bertoia Las esculturas sonoras de Harry Bertoia (incluye la lectura del principio de polaridad de El Kybali\u00f3n). AUDIOS Fosforescence \u2013 Sonambient (1970-1978) &#8211; Harry Bertoia.Freitags-Gruss \u2013 1era parte de 27 de la \u00d3pera Light (1991-1994) &#8211; Karlheinz Stockhausen. ESCULTURA SONORAEs una forma de arte intermedia en la [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-54273","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Teor\u00eda Incertidumbre #21 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-21\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teor\u00eda Incertidumbre #21 -\" \/>\n<meta property=\"og:description\" content=\"Teor\u00eda Incertidumbre #21 Las esculturas sonoras de Harry Bertoia Las esculturas sonoras de Harry Bertoia (incluye la lectura del principio de polaridad de El Kybali\u00f3n). AUDIOS Fosforescence \u2013 Sonambient (1970-1978) &#8211; Harry Bertoia.Freitags-Gruss \u2013 1era parte de 27 de la \u00d3pera Light (1991-1994) &#8211; Karlheinz Stockhausen. ESCULTURA SONORAEs una forma de arte intermedia en la [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/teslafm.net\/en\/teoria-incertidumbre-21\/\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/teslafm.net\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-13T12:29:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/09\/header-image-4-temp.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1274\" \/>\n\t<meta property=\"og:image:height\" content=\"818\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@teslafm\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-21\\\/\",\"url\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-21\\\/\",\"name\":\"Teor\u00eda Incertidumbre #21 -\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#website\"},\"datePublished\":\"2020-07-08T16:45:40+00:00\",\"dateModified\":\"2020-07-13T12:29:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-21\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-21\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/teoria-incertidumbre-21\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/teslafm.net\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Teor\u00eda Incertidumbre #21\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#website\",\"url\":\"https:\\\/\\\/teslafm.net\\\/\",\"name\":\"TeslaFM\",\"description\":\"An experimental and creative radio\",\"publisher\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/teslafm.net\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#organization\",\"name\":\"TeslaFM\",\"url\":\"https:\\\/\\\/teslafm.net\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/teslafm.net\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/teslafm.net\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/logo-tesla.png\",\"contentUrl\":\"https:\\\/\\\/teslafm.net\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/logo-tesla.png\",\"width\":512,\"height\":512,\"caption\":\"TeslaFM\"},\"image\":{\"@id\":\"https:\\\/\\\/teslafm.net\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/teslafm.net\",\"https:\\\/\\\/x.com\\\/teslafm\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Uncertainty Theory #21 - Uncertainty Theory #21 -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/teslafm.net\/en\/teoria-incertidumbre-21\/","og_locale":"en_US","og_type":"article","og_title":"Teor\u00eda Incertidumbre #21 -","og_description":"Teor\u00eda Incertidumbre #21 Las esculturas sonoras de Harry Bertoia Las esculturas sonoras de Harry Bertoia (incluye la lectura del principio de polaridad de El Kybali\u00f3n). AUDIOS Fosforescence \u2013 Sonambient (1970-1978) &#8211; Harry Bertoia.Freitags-Gruss \u2013 1era parte de 27 de la \u00d3pera Light (1991-1994) &#8211; Karlheinz Stockhausen. 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AUDIOS Fosforescence \u2013 Sonambient (1970-1978) &#8211; Harry Bertoia.Freitags-Gruss \u2013 1era parte de 27 de la \u00d3pera Light (1991-1994) &#8211; Karlheinz Stockhausen. ESCULTURA SONORAEs una forma de arte intermedia en la&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/54273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=54273"}],"version-history":[{"count":5,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/54273\/revisions"}],"predecessor-version":[{"id":54483,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/54273\/revisions\/54483"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=54273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}