{"id":58173,"date":"2021-05-22T23:44:38","date_gmt":"2021-05-22T21:44:38","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=58173"},"modified":"2021-05-22T23:44:38","modified_gmt":"2021-05-22T21:44:38","slug":"los-archivos-phonos-12","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/los-archivos-phonos-12\/","title":{"rendered":"Phonos Files #12"},"content":{"rendered":"<h2><span style=\"color: #ffffff;\"><strong>Phonos Files #12<\/strong><\/span><\/h2>\n<p><span style=\"color: #808080;\"><em>May 2021<\/em><\/span><\/p>\n<p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Flos-archivos-phonos-12-%C3%A1ngel-faraldo%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-58175\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/05\/Cartel-Ribermusica.png\" alt=\"\" width=\"507\" height=\"1000\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/05\/Cartel-Ribermusica.png 507w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/05\/Cartel-Ribermusica-152x300.png 152w\" sizes=\"(max-width: 507px) 100vw, 507px\" \/><\/p>\n<p><span style=\"color: #808080;\">In the 12th installment of The Phonos Archives, we recover a listening session conducted in the <strong>Metr\u00f2nom Room<\/strong> of Barcelona on October 11, 1997 within the framework of the <strong>Riberm\u00fasica Autumn Festival<\/strong>which took place in several locations in the city of Barcelona. In this session, 30 fragments of electroacoustic and mixed works developed in the <strong>Phonos Laboratory<\/strong> between 1977 and 1997.<\/span><\/p>\n<p><span style=\"color: #808080;\">Tracklist<\/span><\/p>\n<p><span style=\"color: #808080;\">01. (01'25'') <strong>Doenado el Ur<\/strong>: Yne do Zalod (1991)<\/span><br \/>\n<span style=\"color: #808080;\">02. (02'28'') <strong>Josep Maria Guix<\/strong>: If is Art (1994)<\/span><br \/>\n<span style=\"color: #808080;\">03. (04'01'') <strong>Josep Manuel Berenguer<\/strong>: Ob-jectum (1994)<\/span><br \/>\n<span style=\"color: #808080;\">04. (05'58'') <strong>Anna Bofill<\/strong>: Punto y seguido (1993)<\/span><br \/>\n<span style=\"color: #808080;\">05. (07'22'') <strong>Claudio Zuli\u00e1n<\/strong>: Electric Dreams<\/span><br \/>\n<span style=\"color: #808080;\">06. (08'52'') <strong>Oriol Graus<\/strong>La Solitude de l'Origine (1990)<\/span><br \/>\n<span style=\"color: #808080;\">07. (10'23'') <strong>Mario Verandi<\/strong>: Disencounters (1992)<\/span><br \/>\n<span style=\"color: #808080;\">08. (12'00'') <strong>Eduardo Polonio<\/strong>: Anche io sono pittore (1990)<\/span><br \/>\n<span style=\"color: #808080;\">09. (13'49'') <strong>Jordi Rossinyol<\/strong>: Prosper Laberint Intermitent (1990)<\/span><br \/>\n<span style=\"color: #808080;\">10. (15'49'') <strong>Merc\u00e9 Capdevila<\/strong>Bao Bab (1985)<\/span><br \/>\n<span style=\"color: #808080;\">11. (17'45'') <strong>Alexandre Martinez<\/strong>: Tribute to Luigi Nono (1990)<\/span><br \/>\n<span style=\"color: #808080;\">12. (19'44'') <strong>Andr\u00e9s Lewin-Richter<\/strong>: Andr\u00e9s' Strings (1988)<\/span><br \/>\n<span style=\"color: #808080;\">13. (22'51'') <strong>Ricardo Arias<\/strong>: Daffodill (1989)<\/span><br \/>\n<span style=\"color: #808080;\">14. (24'28'') <strong>Josep Maria Mestres-Quadreny<\/strong>: Action for Joan Mir\u00f3 (1980)<\/span><br \/>\n<span style=\"color: #808080;\">15. (26'04'')<strong> Arturo Rodriguez Morat\u00f3<\/strong>: Numbers (1980)<\/span><br \/>\n<span style=\"color: #808080;\">16. (27'19'') <strong>Joan Saura<\/strong>: Espla\u00e7aments (1983)<\/span><br \/>\n<span style=\"color: #808080;\">17. (29'03'') <strong>Xavier Maristany<\/strong>: Est Cooker (1979)<\/span><br \/>\n<span style=\"color: #808080;\">18. (30'01'') <strong>Artur Palaurarias<\/strong>Moving in time (1989)<\/span><br \/>\n<span style=\"color: #808080;\">19. (32'33'') <strong>Joan Antoni Moreno<\/strong>: Nono is here (1990)<\/span><br \/>\n<span style=\"color: #808080;\">20. (34'07'') <strong>Eduard Resina<\/strong>L'esquizofrenia del so (1993)<\/span><br \/>\n<span style=\"color: #808080;\">21. (35'12'') <strong>Lluis Callejo<\/strong>: Structures 6502 (1982)<\/span><br \/>\n<span style=\"color: #808080;\">22. (36'42'') <strong>Arturo Moya<\/strong>: Deep (1990)<\/span><br \/>\n<span style=\"color: #808080;\">23. (38'02'') <strong>Jep Nuix<\/strong>Weightlifting I (1983)<\/span><br \/>\n<span style=\"color: #808080;\">24. (41'52'') <strong>Gabriel Brncic<\/strong>: Clarinen Tres (1986)<\/span><br \/>\n<span style=\"color: #808080;\">25. (44'34'') <strong>Teruyoshi Kamika<\/strong>: For Fernando Riera (1996)<\/span><br \/>\n<span style=\"color: #808080;\">26. (46'23'') <strong>Carlos Luprian<\/strong>: Heartbeat (1995)<\/span><br \/>\n<span style=\"color: #808080;\">27. (48'48'') <strong>Alain Per\u00f3n<\/strong>The edicts that appease the circle of fire (1997)<\/span><br \/>\n<span style=\"color: #808080;\">28. (51'51'') <strong>\u00c0lex Arteaga<\/strong>: T\u00e9menos (1996)<\/span><br \/>\n<span style=\"color: #808080;\">29. (53'24'')<strong> Igor Binsbergen<\/strong>: Luis and Marylin (1997)<\/span><br \/>\n<span style=\"color: #808080;\">30. (56'27'') <strong>Diego dall'Osto<\/strong>Cosmophony II (1997)<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Los Archivos Phonos #12 Mayo 2021 En la entrega n\u00famero 12 de Los Archivos Phonos, recuperamos una sesi\u00f3n de escucha realizada en la Sala Metr\u00f2nom de Barcelona el 11 de Octubre de 1997 dentro del Festival de Oto\u00f1o Riberm\u00fasica, que se desarrollaba en varios emplazamientos de la Ciudad Condal. En esta sesi\u00f3n se proyectaron 30 [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-58173","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los Archivos Phonos #12 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/los-archivos-phonos-12\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los Archivos Phonos #12 -\" \/>\n<meta property=\"og:description\" content=\"Los Archivos Phonos #12 Mayo 2021 En la entrega n\u00famero 12 de Los Archivos Phonos, recuperamos una sesi\u00f3n de escucha realizada en la Sala Metr\u00f2nom de Barcelona el 11 de Octubre de 1997 dentro del Festival de Oto\u00f1o Riberm\u00fasica, que se desarrollaba en varios emplazamientos de la Ciudad Condal. 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En esta sesi\u00f3n se proyectaron 30&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/58173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=58173"}],"version-history":[{"count":1,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/58173\/revisions"}],"predecessor-version":[{"id":58176,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/58173\/revisions\/58176"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=58173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}