{"id":60817,"date":"2022-11-22T15:15:20","date_gmt":"2022-11-22T14:15:20","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=60817"},"modified":"2022-11-22T15:29:11","modified_gmt":"2022-11-22T14:29:11","slug":"space-oddity-recollection-38","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/space-oddity-recollection-38\/","title":{"rendered":"Space Oddity Recollection #38"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"60817\" class=\"elementor elementor-60817\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2802a6fe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2802a6fe\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3cb32f2e\" data-id=\"3cb32f2e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1b0957ae elementor-widget elementor-widget-text-editor\" data-id=\"1b0957ae\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>Space Oddity Recollection #38<\/strong><\/span><\/h2>\r\n<span style=\"color: #808080;\"><em>November 2022<\/em><\/span>\r\n\r\n<iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fspace-oddity-recollection-38-monika-pich%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-32ade2b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"32ade2b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1e521f6\" data-id=\"1e521f6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-25c606d elementor-widget elementor-widget-image\" data-id=\"25c606d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"472\" height=\"472\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/11\/JrF_PrL-by-Pheobe-riley-Law-2c.jpg\" class=\"attachment-large size-large wp-image-60819\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2022\/11\/JrF_PrL-by-Pheobe-riley-Law-2c.jpg 472w, https:\/\/teslafm.net\/wp-content\/uploads\/2022\/11\/JrF_PrL-by-Pheobe-riley-Law-2c-300x300.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2022\/11\/JrF_PrL-by-Pheobe-riley-Law-2c-150x150.jpg 150w\" sizes=\"(max-width: 472px) 100vw, 472px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e133c77\" data-id=\"e133c77\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b770f4f elementor-widget elementor-widget-text-editor\" data-id=\"b770f4f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #808080;\"><strong><em>Jez riley Frencz and Phoebe riley Law.<\/em><\/strong><\/span><\/p><p><span style=\"color: #808080;\">A creative, inspiring and perceptive experience in a father-daughter relationship, moments of complexity in ever-changing interactions.<\/span><\/p><p><span style=\"color: #808080;\"><strong>Jez Riley Frencz<\/strong> focuses extensively on sound as both material and subject matter. In his work, he uses a variety of formats (installations, intuitive compositions, scores, films, photographs and texts) to explore places, sounds that are beyond our attention and our responses to localized materials. Alongside performances and exhibitions, he lectures and conducts workshops on localized sound as an art form. He has developed a range of specialized microphones and techniques, now widely used by recordists, sound artists, musicians, sound designers and cultural organizations.<\/span><br \/><span style=\"color: #808080;\">He extensively records surfaces, spaces and situations, bets on geolocalized sound walks and develops the concept of photographic scores. The works presented involve the sounds of the Dolomites dissolving, ants consuming fallen fruit, buildings resonating, the cable car interacting with the locals, the infrasound of domestic spaces, melting glaciers and the tonal resonances of natural and human objects in the landscape.<\/span><\/p><p><span style=\"color: #808080;\"><strong>Pheobe Riley Law<\/strong> often explores the documentation and transformation of materials, including reformatted sounds, texts, films and objects. She is interested in reformulating and dismantling narrative, subverting perceived normalities along with the construction of personal or social behaviors and inherent patterns of experience.<\/span><\/p><p><span style=\"color: #808080;\">Links:<\/span><br \/><a href=\"https:\/\/jezrileyfrench.co.uk\" target=\"_blank\" rel=\"noopener\">jezrileyfrench.co.uk<\/a><br \/><a href=\"https:\/\/pheoberileylaw.yolasite.com\" target=\"_blank\" rel=\"noopener\">pheoberileylaw.yolasite.com<\/a><\/p><p><span style=\"color: #808080;\">Enjoy the mixtrack, November 2022', produced by <strong>monikapich<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Space Oddity Recollection #38 Noviembre 2022 Jez riley Frencz y Phoebe riley Law. Una experiencia creativa, inspiradora y perceptiva en una relaci\u00f3n padre e hija, momentos de complejidad en interacciones siempre cambiantes. Jez Riley Frencz se centra ampliamente en el sonido como material y como tema. En su trabajo, utiliza una variedad de formatos (instalaciones, [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-60817","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Space Oddity Recollection #38 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/space-oddity-recollection-38\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Space Oddity Recollection #38 -\" \/>\n<meta property=\"og:description\" content=\"Space Oddity Recollection #38 Noviembre 2022 Jez riley Frencz y Phoebe riley Law. Una experiencia creativa, inspiradora y perceptiva en una relaci\u00f3n padre e hija, momentos de complejidad en interacciones siempre cambiantes. Jez Riley Frencz se centra ampliamente en el sonido como material y como tema. 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Una experiencia creativa, inspiradora y perceptiva en una relaci\u00f3n padre e hija, momentos de complejidad en interacciones siempre cambiantes. Jez Riley Frencz se centra ampliamente en el sonido como material y como tema. 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