{"id":61925,"date":"2023-03-10T15:43:21","date_gmt":"2023-03-10T14:43:21","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=61925"},"modified":"2023-11-03T10:51:32","modified_gmt":"2023-11-03T09:51:32","slug":"esquizofonias-o-la-palpitacion-del-siglo-6","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/esquizofonias-o-la-palpitacion-del-siglo-6\/","title":{"rendered":"Esquizofon\u00edas o la palpitaci\u00f3n del siglo #6"},"content":{"rendered":"<h2><span style=\"color: #ffffff;\"><strong>Schizophonies or the throbbing of the century #6<\/strong><\/span><\/h2>\n<p><span style=\"color: #808080;\"><em>Passage 6<br \/>\n<\/em><\/span><\/p>\n<p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fesquizofonias-o-la-palpitaci%C3%B3n-del-siglo-6-zozobra%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<p><span style=\"color: #808080;\">01. <b>Pixies <\/b>- Dancing the manta ray<\/span><br \/>\n<span style=\"color: #808080;\">02. <b>Victoria Cirlot<\/b>conference\u00a0<\/span> <a href=\"https:\/\/youtu.be\/Larf70Xclww?t=2896\" target=\"_blank\" rel=\"noopener\">\"<em>From Hildegard von Bingen to Max Ernst<\/em>\"<\/a><br \/>\n<span style=\"color: #808080;\">03. <b>Francesc Garrido <\/b>in the play<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=fMl4logUQ3E\" target=\"_blank\" rel=\"noopener\"> \"The Lists\"<\/a> <span style=\"color: #808080;\">from<b> Julio D. Wallovits.<\/b><\/span><br \/>\n<span style=\"color: #808080;\">04. Recording in the subway of violinist finishing frantic.<\/span><br \/>\n<span style=\"color: #808080;\">05. Narration of \"<\/span><a href=\"https:\/\/youtu.be\/pnQiaEt02oc?t=493\" target=\"_blank\" rel=\"noopener\">Lines of force<\/a><span style=\"color: #808080;\">\" <b>Bob Snyder<\/b>, 1979<\/span><br \/>\n<span style=\"color: #808080;\">06. Interview with <b>Gloria Fuertes<\/b>.<\/span><br \/>\n<span style=\"color: #808080;\">07. <b>Chantal Akerman <\/b>excerpt from<b> <\/b>\"Saute ma ville\" 1968. It is his first published short film.<\/span><br \/>\n<span style=\"color: #808080;\">08. Fragment of the short film \"Immersi\u00f3\" of <b>Neus Ball\u00fas<\/b>, 2009.<b><br \/>\n<\/b>09. Excerpt from \"Honor de cavalleria\" by <strong>Albert Serra<\/strong>, 2006.<b><br \/>\n<\/b>10. \"<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=HKpk-oNla84\" target=\"_blank\" rel=\"noopener\">Cum processit factura digiti Dei (Antiphon<\/a><span style=\"color: #808080;\">\" of <b><b>Hildegard von Bingen <\/b><\/b>mixed with a synth track.<b><br \/>\n<\/b>11. Excerpt from the film \"People in Places\" by <b><b>Juan Cavestany<\/b><\/b>, 2013.<b><br \/>\n<\/b>12.<\/span> <a href=\"https:\/\/vimeo.com\/24504919\" target=\"_blank\" rel=\"noopener\">Agustin Andreu<\/a><span style=\"color: #808080;\">interview.<b><br \/>\n<\/b>13. <b><b>Chantal Akerman <\/b><\/b>another fragment of \"Saute ma ville\" 1968. It is his first published short film.<b><br \/>\n<\/b>14. Another fragment of the short film \"Immersi\u00f3\" of <b><b>Neus Ball\u00fas<\/b><\/b>, 2009.<b><b><br \/>\n<\/b><\/b>15. <b><b>Chantal Akerman<\/b><\/b>end and credits of \"Saute ma ville\".<b><br \/>\n<\/b>16. \"Arrebato\" by<b> Iv\u00e1n Zulueta<\/b>, 1979.<b><br \/>\n<\/b>17. <b><b>Gloria Fuertes<\/b><\/b>,<b><b> Pixies<\/b><\/b>,<b><b> Victoria Cirlot<\/b><\/b>,<b><b> Jesus lizano<\/b><\/b>.<b><b><br \/>\n<\/b><\/b>\"Let them love me and me love.\"<b><b> Gloria Fuertes.<\/b><\/b><\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Esquizofon\u00edas o la palpitaci\u00f3n del siglo #6 Pasaje 6 01. Pixies &#8211; Dancing the manta ray 02. Victoria Cirlot, conferencia\u00a0 \u201cDe Hildegard von Bingen a Max Ernst\u201d 03. Francesc Garrido en la obra de teatro \u00abLas Listas\u00bb de Julio D. Wallovits. 04. Grabaci\u00f3n en el metro de violinista acabando fren\u00e9tico. 05. Narraci\u00f3n de \u00abLines of [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-61925","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Esquizofonias o la palpitaci\u00f3n del siglo #6 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/esquizofonias-o-la-palpitacion-del-siglo-6\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Esquizofonias o la palpitaci\u00f3n del siglo #6 -\" \/>\n<meta property=\"og:description\" content=\"Esquizofon\u00edas o la palpitaci\u00f3n del siglo #6 Pasaje 6 01. 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Pixies &#8211; Dancing the manta ray 02. Victoria Cirlot, conferencia\u00a0 \u201cDe Hildegard von Bingen a Max Ernst\u201d 03. Francesc Garrido en la obra de teatro \u00abLas Listas\u00bb de Julio D. Wallovits. 04. Grabaci\u00f3n en el metro de violinista acabando fren\u00e9tico. 05. 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Narraci\u00f3n de \u00abLines of&hellip;","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/61925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=61925"}],"version-history":[{"count":4,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/61925\/revisions"}],"predecessor-version":[{"id":63842,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/pages\/61925\/revisions\/63842"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=61925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}