

{"id":994,"date":"2018-12-17T21:31:52","date_gmt":"2018-12-17T20:31:52","guid":{"rendered":"https:\/\/teslafm.net\/?page_id=994"},"modified":"2021-03-05T13:37:00","modified_gmt":"2021-03-05T12:37:00","slug":"la-pantalla-silenciosa-1","status":"publish","type":"page","link":"https:\/\/teslafm.net\/en\/la-pantalla-silenciosa-1\/","title":{"rendered":"The Silent Screen #1"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"994\" class=\"elementor elementor-994\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6d38760f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6d38760f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-600fc0f7\" data-id=\"600fc0f7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4c2327b3 elementor-widget elementor-widget-text-editor\" data-id=\"4c2327b3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #ffffff;\"><strong>The Silent Screen #1<\/strong><\/span><\/h2>\n<p><span style=\"color: #808080;\"><em>The Black Pirate (1926) Alternative Soundtrack by Lee Erwin<\/em><\/span><\/p>\n<p><iframe src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTeslafm_net%2Fla-pantalla-silenciosa-1-lxs-valientes-duermen-solxs%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<h6><span style=\"color: #808080;\"><b>The Black Pirate (1926)<\/b><\/span><\/h6>\n<p dir=\"ltr\"><span style=\"color: #808080;\">Production: <b>Elton Corp<\/b>United Artists. Address: <b>Albert Parker<\/b>. Script: <b>Jack Cunningham<\/b> (argument D. Fairbanks) Photograph: <b>Henry Sharp<\/b>. Music: <b>Mortimer Wilson<\/b>, . Interpreters: <b>Douglas Fairbanks<\/b>, <b>Billie Dove<\/b>, <b>Anders Randolph<\/b>, <b>Donald Crist<\/b>, <b>Temple Pigott<\/b>, <b>Sam de Grasse<\/b>. 88 min.<\/span><\/p>\n<p dir=\"ltr\"><span style=\"color: #808080;\">The storyline and defining details of the production emerged from the fantasy of the production itself. <b>Doug<\/b>: pseudonym of <b>Elton Thomas<\/b>which was none other than <b>Douglas Fairbanks<\/b>. After <i>\"Elton Corp.\"<\/i> was also <b>Fairbanks<\/b> as the actual executive producer.<\/span><\/p>\n<p dir=\"ltr\"><span style=\"color: #808080;\"><i>\"The Black Pirate\"<\/i> offers a complete sample of the elements that characterize the subgenre. <i>\"of pirates\"<\/i> in adventure films.&nbsp;<\/span><i style=\"color: rgb(128, 128, 128);\">\"The Black Pirate\"<\/i><span style=\"color: rgb(128, 128, 128);\"> was the first feature film to be shot entirely on the primitive system. <\/span><b style=\"color: rgb(128, 128, 128);\">Technicolor<\/b><span style=\"color: rgb(128, 128, 128);\">.&nbsp;<\/span><span style=\"color: rgb(128, 128, 128);\">His work is a perfect example of what <\/span><b style=\"color: rgb(128, 128, 128);\">Chaplin<\/b><span style=\"color: rgb(128, 128, 128);\"> defined: <\/span><i style=\"color: rgb(128, 128, 128);\">\"extraordinary magnetism, charm and genuine youthful enthusiasm.\"<\/i><\/p>\n<p dir=\"ltr\"><span style=\"color: #808080;\">Music alternative version: <b>Lee Erwin<\/b><\/span><\/p>\n<p dir=\"ltr\"><span style=\"color: #808080;\"><b><br>LEE ERWIN <\/b>(July 15, 1908 - September 21, 2000)<\/span><\/p>\n<div><span style=\"color: #808080;\">He was one of the few musicians fortunate enough to revive a musical genre that had died out in the late 1920s. In the late 1960s, when filmmakers abandoned the Hollywood conventions of the previous two decades,&nbsp;<b>Erwin<\/b>&nbsp;emerged as a composer and recorder specializing in music to accompany silent films and, in a series of performances at silent film screenings and subsequently on several albums for the U.S. label <b>EMI Angel Records<\/b>established a category of LP releases in which, for many years, he was the sole occupant. Born in Huntsville, AL, in 1908, the principal musical influence in the childhood of <b>Erwin<\/b> was his mother, a church organist. He studied the organ and graduated from the Cincinnati Conservatory of Music, having played in many theaters along the way since high school. As a high school student, he began accompanying films as a fill-in musician, filling in for either performer full-time at a local theater, and as a conservatory student, he worked regularly in this capacity. He studied in Paris with virtuoso <b>Andre Marchal<\/b> and was trained in composition by&nbsp;<b>Nadia Boulanger<\/b>He also got to see the composer play&nbsp;<b>Olivier Messiaen<\/b> at the Church of the Trinity in Paris.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div><span style=\"color: #808080;\">On his return to Cincinnati, <b>Erwin<\/b> got a job as a radio musician at the radio station <b>WLW<\/b>where, in addition to accompanying several dramatic programs, he was the featured musician on an evening program of pop songs, often accompanying an actor reading romantic poetry.<\/span><span style=\"color: #808080;\">&nbsp;<\/span><span style=\"color: #808080;\">In 1943, <b>Erwin<\/b> joined the staff of the radio network <b>CBS<\/b> in New York and, with the advent of television, he earned a place as a <i>\"Moneybags Erwin\"<\/i> in one of the programs of&nbsp;<b>Arthur Godfrey<\/b>.<\/span><span style=\"color: #808080;\">&nbsp;<\/span><span style=\"color: #808080;\">The career of <b>Erwin<\/b> lasted until the 1960s, when radio and television stopped employing full-time musicians.<\/span><span style=\"color: #808080;\">&nbsp;<\/span><span style=\"color: #808080;\">Erwin's activities had never been very visible: he had recorded an LP entitled&nbsp;<b>Pipe Organ Favorites<\/b>.<\/span><span style=\"color: #808080;\">&nbsp;<\/span><span style=\"color: #808080;\">All of that changed through an unexpected series of events that began in 1967, when the <b>American Theater Organ Society<\/b> commissioned <b>Erwin<\/b> to write a score to accompany a presentation of the 1929 silent film of <b>Erich Von Stroheim<\/b>, <b>Queen Kelly<\/b>starring <b>Gloria Swanson<\/b>.<\/span><span style=\"color: #808080;\">&nbsp;<\/span><span style=\"color: #808080;\">In one fell swoop, this commission brought him back to where his career began, and he was surprised to discover, 40 years after silents had been relegated to history, that there was a great demand for his work in this area.<\/span><br><span style=\"color: #808080;\"><br><\/span><\/div>\n<div>\n<p><span style=\"color: #808080;\">After the film of <b>Von Stroheim<\/b>he wrote scores for such silent films as <b>The Eagle<\/b>, <b>My Best Girl<\/b>, <b>Irene<\/b>and a couple of films by <b>Buster Keaton<\/b>. What made the music of <b>Erwin<\/b> is that he did not try to emulate the typical accompaniment that films would have in the 1920s, which relied heavily on adaptations of established classical pieces. Instead, he wrote his own original music, recognizing that the sophistication of audiences in the 1960s and 1970s made the earlier adaptation approach impossible to recreate. Erwin's success and popularity with these compositions, which he performed at screenings of these films throughout the United States, made him an established recording artist by the time he was in his 60s. In the early 1970s, <b>Angel Records<\/b> recorded a series of albums with <b>Erwin<\/b> in which he presented suites based on these scores, which established a new category of soundtrack and classical music. Decades later,&nbsp;<b>Lee Erwin<\/b>&nbsp;was the only silent film composer or accompanist to enjoy a national reputation, or any recognition beyond the core fan base of those vintage films. Only with the big-budget reopenings of films such as <b>Napoleon<\/b> from&nbsp;<b>Abel Gance<\/b>&nbsp;(which used a score from the relaunch sponsor's parent,&nbsp;<b>Carmine Coppola<\/b>in the United States and <b>Carl Davis<\/b> in Europe),&nbsp;<b>Erwin<\/b>&nbsp;found serious competition, and those composers worked with full orchestra, not organ, which was his forte. However, his reputation lasted into the 1980s and extended to work on films such as <b>Radio Days<\/b> from&nbsp;<b>Woody Allen<\/b>&nbsp;(in which he played a roller-skating organist) and the recording of films such as 1984's Hotel New York and occasionally quietly rediscovered, like <b>The man without a world<\/b>. The b also later recorded his music for use in silent film and theatrical presentations.<\/span><\/p>\n<p><span style=\"color: #808080;\"><b>Lee Erwin<\/b> - Sound Of Silents - Music For Silent Film Classics<\/span><br><span style=\"color: #808080;\">Stamp: <b>Angel Records<\/b>. USA. 1974 LP. Capitol Records, Inc. Art director: <b>Marvin Schwartz<\/b>. Design: <b>Jim Endicott<\/b>. Engineer: <b>Mike Doyle<\/b>. Mixing: <b>Carson C<\/b>. <b>Taylor<\/b>. Music consulted <b>Dick Kline<\/b>. Photograph: <b>Jack Novak<\/b>. Produced by<b> Patti Laursen.<\/b><\/span><\/p>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-be4d01e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"be4d01e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5891879\" data-id=\"5891879\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-466ce54 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"466ce54\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-a335677\" data-id=\"a335677\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-73b7830 elementor-widget elementor-widget-image\" data-id=\"73b7830\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black_pirate-1926-684x1024-1-684x1024.jpg\" class=\"attachment-large size-large wp-image-57089\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black_pirate-1926-684x1024-1-684x1024.jpg 684w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black_pirate-1926-684x1024-1-200x300.jpg 200w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black_pirate-1926-684x1024-1.jpg 721w\" sizes=\"(max-width: 684px) 100vw, 684px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-5468696\" data-id=\"5468696\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b7b58b8 elementor-widget elementor-widget-image\" data-id=\"b7b58b8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black-Pirate-1024x801-1-1024x801.jpg\" class=\"attachment-large size-large wp-image-57090\" alt=\"\" srcset=\"https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black-Pirate-1024x801-1-1024x801.jpg 1024w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black-Pirate-1024x801-1-300x235.jpg 300w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black-Pirate-1024x801-1-768x601.jpg 768w, https:\/\/teslafm.net\/wp-content\/uploads\/2021\/03\/Lvds_Black-Pirate-1024x801-1.jpg 1381w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>La Pantalla Silenciosa #1 El pirata negro (1926) Banda Sonora Alternativa por Lee Erwin The Black Pirate (El pirata negro, 1926) Producci\u00f3n: Elton Corp. \/ United Artists. Direcci\u00f3n: Albert Parker. Gui\u00f3n: Jack Cunningham (argumento D. Fairbanks) Fotograf\u00eda: Henry Sharp. M\u00fasica: Mortimer Wilson, . Int\u00e9rpretes: Douglas Fairbanks, Billie Dove, Anders Randolph, Donald Crist, Temple Pigott, Sam [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-994","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Pantalla Silenciosa #1 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/la-pantalla-silenciosa-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Pantalla Silenciosa #1 -\" \/>\n<meta property=\"og:description\" content=\"La Pantalla Silenciosa #1 El pirata negro (1926) Banda Sonora Alternativa por Lee Erwin The Black Pirate (El pirata negro, 1926) Producci\u00f3n: Elton Corp. \/ United Artists. 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Direcci\u00f3n: Albert Parker. Gui\u00f3n: Jack Cunningham (argumento D. Fairbanks) Fotograf\u00eda: Henry Sharp. M\u00fasica: Mortimer Wilson, . 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