{"id":322,"date":"2018-09-28T09:30:24","date_gmt":"2018-09-28T07:30:24","guid":{"rendered":"https:\/\/teslafm.net\/?p=322"},"modified":"2021-02-01T13:29:26","modified_gmt":"2021-02-01T12:29:26","slug":"voc%c2%b7dat","status":"publish","type":"post","link":"https:\/\/teslafm.net\/en\/voc%c2%b7dat\/","title":{"rendered":"VOC\u00b7DAT"},"content":{"rendered":"
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\"Only through time, time is conquered.\"<\/em>, T. S. Eliot.<\/strong>
\"Being on the outskirts is also being on the inside.\"<\/em>, Pablo Garc\u00eda Casado<\/strong><\/p>

DISPOLYTHOPIA<\/strong> (synopsis)<\/p>

Dispolitopia: dystopian and political<\/strong>
Through the figure of the fl\u00e2neur we will work on the dramaturgy of sound in abandoned spaces, recording certain sounds, noises, or voices, with mobile technology and including them in the work we produce. We will work in the studio with voices and other sounds. We are interested in these spaces, which are located or paralyzed in a certain historical moment. Any space conceived as a mere transit. How the ruin survives, the structure, despite the irremissible passage of time. With urban exploration we make contact with bodily sensations provoked by passing through them: chills, a certain feeling of insecurity. This is how we will transfer it to sound, to musical emotions, to our own poems, to the sound work we do.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photos: Alicia G. Nu\u00f1ez<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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A non-place, as already exposed Marc Aug\u00e9<\/strong> in the field of anthropology or Ballard<\/strong> in that of science fiction, it is an intermediate space that does not provide us with identity, it subtracts it in a certain way. We are interested in the relationship of these concepts as applied to poetry: \"There is no time for poetry\", as he wrote Carilda Oliver Labra<\/strong>. The genre itself is a non-place between literary genres. Poetry is the margin, a note on the margin, musicality, body, experience, a game of repetitions that endow the signifier itself with other meanings. This is how we work the poetic genre: weaving a sonorous space that gives meaning to those residual spaces, victims of the acceleration of capitalist processes or the excessive advance of neoliberalism. We are interested in emphasizing how these urban spaces affect the environment, how they abound after certain historical processes, they grow, destined to disuse or to shelter victims of the social context. How nature takes sides, takes possession of them with its branches, trees growing inside them. How time has been eating space to time, we are interested in stopping for a moment. To forget the fear it arouses, to consider it a lie.<\/p>

BIOGRAPHY<\/strong><\/p>

VOC\u00b7DAT<\/strong> is made up of the poet, multidisciplinary artist and journalist Alicia G. N\u00fa\u00f1ez<\/strong>the experimental musician Daniel Alvarez<\/strong> and the plastic artist and poet \u00c1ngela Gemio<\/strong>. It is also the acronym of the verse of Alejandra Pizarnik<\/strong>: \"Vertigo or contemplation of something ending.\"<\/em>.<\/p>

They work in the field of contemporary sound art, experimental electronic music and poetry. Their research includes the work of authors such as Gloria Fuertes<\/strong>, Virginie Despentes<\/strong>, Adrienne Rich<\/strong> o A. Pizarnik<\/strong> and their own. Their live performances are random and improvised in real time. Each sample of their production is unique in performative terms.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photo Bubal\u00fa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The piece programmed here is a field recording work that was made for the call for proposals. \"24H World Phonography\"<\/em> of the UQAC<\/strong> - Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi<\/strong>. VOCDAT<\/strong> was selected for this call for proposals and performed field recording and live recording work at Konvent Zero<\/strong>. The band at that time consisted of Alicia G. N\u00fa\u00f1ez<\/strong>, Daniel \u00c1lvarez Mart\u00ednez<\/strong> and \u00c1ngela Gemio<\/strong>. To date, only Dani is still with her.
Alicia G<\/strong>. y \u00c1ngela Gemio<\/strong> have embarked on a new path with a band named LiTTiO X<\/strong>with the same mutant and noise-generating spirit. <\/span><\/p>

aliciag.es<\/strong><\/a><\/span>
angelagemio.wordpress.com<\/strong><\/a><\/span>
soundcloud.com\/vocdat<\/strong><\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u201cSolo a trav\u00e9s del tiempo, el tiempo se conquista\u201d, T. S. Eliot.\u201cEstar en las afueras tambi\u00e9n es estar dentro\u201d, Pablo Garc\u00eda Casado DISPOLITOPIA (sinopsis) Dispolitopia: dist\u00f3pico y pol\u00edticoA trav\u00e9s de la figura del fl\u00e2neur trabajaremos la dramaturgia del sonido en espacios abandonados, grabando ciertos sonidos, ruidos, o voces, con tecnolog\u00eda m\u00f3vil e incluy\u00e9ndolos en la […]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[337],"class_list":["post-322","post","type-post","status-publish","format-standard","hentry","category-concierto","tag-angela-gemio-es"],"yoast_head":"\nVOC\u00b7DAT -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teslafm.net\/en\/voc\u00b7dat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VOC\u00b7DAT -\" \/>\n<meta property=\"og:description\" content=\"\u201cSolo a trav\u00e9s del tiempo, el tiempo se conquista\u201d, T. 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Eliot.\u201cEstar en las afueras tambi\u00e9n es estar dentro\u201d, Pablo Garc\u00eda Casado DISPOLITOPIA (sinopsis) Dispolitopia: dist\u00f3pico y pol\u00edticoA trav\u00e9s de la figura del fl\u00e2neur trabajaremos la dramaturgia del sonido en espacios abandonados, grabando ciertos sonidos, ruidos, o voces, con tecnolog\u00eda m\u00f3vil e incluy\u00e9ndolos en la […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/teslafm.net\/en\/voc\u00b7dat\/\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/teslafm.net\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-28T07:30:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-01T12:29:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/teslafm.net\/wp-content\/uploads\/2018\/09\/IMG_7323-1024x768.jpg\" \/>\n<meta name=\"author\" content=\"Ishak\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" 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href=\"https:\/\/teslafm.net\/en\/category\/concierto\/\" rel=\"category tag\">Concierto<\/a>","rttpg_excerpt":"\u201cSolo a trav\u00e9s del tiempo, el tiempo se conquista\u201d, T. S. Eliot.\u201cEstar en las afueras tambi\u00e9n es estar dentro\u201d, Pablo Garc\u00eda Casado DISPOLITOPIA (sinopsis) Dispolitopia: dist\u00f3pico y pol\u00edticoA trav\u00e9s de la figura del fl\u00e2neur trabajaremos la dramaturgia del sonido en espacios abandonados, grabando ciertos sonidos, ruidos, o voces, con tecnolog\u00eda m\u00f3vil e incluy\u00e9ndolos en la…","_links":{"self":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/posts\/322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/comments?post=322"}],"version-history":[{"count":25,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/posts\/322\/revisions"}],"predecessor-version":[{"id":56260,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/posts\/322\/revisions\/56260"}],"wp:attachment":[{"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/media?parent=322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/categories?post=322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teslafm.net\/en\/wp-json\/wp\/v2\/tags?post=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}