Ibidem #3

30 Junio 2020

Un tributo especial a lxs músicxs minimalistas de los años 70s.

La primera parte es el extracto de una instalación nuestra, donde una configuración generativa de sinusoidales genera distintos modelos sonoros.

“The flow of momentum marshaled the vibrations of air in the room, slowly making the ear aware of sounds that weren’t actually being played,” Gann reported from one performance. “The play of combination and difference tones created astounding aural illusions.”